Dramas like poetry and fiction are the art of words. In the drama, the main word is dialogue: the speaker is a basic dramatic act. Conversations can be interrupted by sword fights, romantic scenes, and silent activity, but these activities draw their meaning from the context of the script or conversation.

Otherwise, we’re dealing with mime, not Pinoy Lambingan. However, in general theory, it is not so easy to draw a line between theater and related art. Movies are less literary than theater, but movie scripts are published for reading. At what point did oral art become a drama rather than a script or production note? On the other hand, what is the concept of drama that Pirandello’s “Three Boards and Passion” covers as a theatrical formula?

Such questions are posed by the dual aspects of dramatic language. Like written words, drama is literature. As a word spoken in the spectacle, it is theater. Dialogues can be live and intact, but stage orientation, even well-written, cannot withstand script-to-stage transfers.

Their references are show stories, movements, costumes, drama mask sets and more. -It’s a theatrical creation, not a literary one. The fact that successful playwrights make more money at the box office than bookstores makes for most people masquerade dramas and film acting media prioritized over literary media to read dramas. Prove to be an alternative to seeing it. ..

As a stage spectacle, theater is very three-dimensional and can be heard from consistent, absorptive, and physical behavior. “Continuous words and reading are actions in the dimension of time, but watching a drama is an experience of space and time.

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At some point, the audience may notice the weather, the time of day, the rich furniture and the shabby furniture at the same time. Alternatively, one character is speaking and another is listening, and someone puts a knife between their teeth and gently crawls into the speaker. The spatial concreteness and immediacy of the staged drama draws attention from the audience’s more sensory response and does so more strongly than the purely imaginative generation of printed matter.

However, we can disagree with the general assumption that the theatrical medium is dominant. Performance is more than just a game where a concert is a symphony. Most plays, such as symphonies, are written to be played, but the artistic composition is written because the melody, harmony, rhythm, tempo, and symphonic orchestration “exist” in the printed score. It will be completed with. The only difference between a printed play and a printed piece of music in this respect is that for most of us it is easier to “see” and “listen” to a play with imagination than to “listen” to music with a reading score. Is that. .. ..

It happened without notice. You find yourself lost in the fog. You feel unhappy and you start looking. The problem itself is less important than the universal sensation of discomfort or illness on the skin. This sensation occurs in middle age. It happens when you’re at a crossroads, at a transition in life, or when you’re trying to build a business and you’re in a black hole of turmoil when hiring teachers one after another to save you from the drama. If any of these apply to you, here are five ways to stop the drama that’s stuck you.

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